While The Videoboy Chronicles might suggest a more louche flavour of content, Sam Smith’s latest observation of American cyclocross racing is Cinéma vérité when it comes to bike media.

Comfortably unfettered by “brought to you by…” or “powered by…” prefixes, Smith’s meandering lens provides glimpses of discounted and peripheral moments in bike racing; the muted disinterest of otherwise unruly spectators when an lesser known pair of Belgian riders pass, a relaxed world champion, enjoying respite from competition.